Уличное искусство. Jorge Rodriguez-Gerada

Уличное искусство. Jorge Rodriguez-Gerada

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Лучший стрит-арт 2012 (26 фото)

Братислава, Словакия ( Mira Mirart )

Лодзь, Польша ( Sainer из Etam Crew )

Пенанг, Малайзия ( Ernest Zacharevic )

Германия ( Mad C )

Барселона, Испания ( Roc Blackblock )

Париж, Франция ( С215 )

Мичиган, США ( David Zinn )

Москва, Россия ( Неизвестный автор )

Орденес, Испания ( Liqen )

Тюмень, Россия ( Неизвестный автор )

Польша ( Escif )

Куба ( Jorge Rodriguez-Gerada )

Бирмингем, Великобритания ( Digbeth )

Лондон, Великобритания ( David Walker )

Лондон, Великобритания ( Evol )

Иран ( Icy and Sot )

Ренн, Франция ( MTO )

Милан, Италия ( Nemo )

Лондон, Великобритания ( ROA )

Испания ( Sam3 )

Беллингем, США ( Sarah Rudder )

Пусан, Южная Корея ( Hendrik Beikirch )

Великобритания ( SmugOne )

Испания ( Borondo )

Екатеринбург, Россия ( Марина Ягода )

Jorge Rodriguez Gerada On The Ground Level Feel Of Facescape

Название: Jorge Rodriguez Gerada On The Ground Level Feel Of Facescape

Загрузил: PBS NewsHour

Длительность: 1 мин и 46 сек

Битрейт: 192 Kbps

2.33 MB и длительностью 1 мин и 46 сек в формате mp3.

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Jorge Rodriguez Gerada On The Ground Level Feel Of Facescape

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Jorge Rodriguez-Gerada: Removing Skin, Painting “Fragments”

It is always interesting to go into the studio space of a Street Artist to see how their big public practice translates to their “fine art” commercial work. Here we have new works from a figurative painter and portrait maker Jorge Rodriguez-Gerada, who is preparing pieces for his upcoming “Fragments” series.

Jorge Rodriguez-Gerada. “Fragments” (photo © Fer Alcala)

He says that the haunting and beckoning faces are painted upon textured surfaces that are at least 150 years old. How, exactly? “I have perfected a process that allows me to remove old interior wall paint surfaces from abandoned buildings to use as my canvases,” he says. The fragile cracked and flaking surfaces are stabilized and made whole so the new works can actually have an archival quality.

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Jorge Rodriguez-Gerada. “Fragments” (photo © Audrey Garcia) Jorge Rodriguez-Gerada. “Fragments” (photo © Audrey Garcia)

One gazes at these beauties and considers the axiom, “beauty is only skin deep”, meaning that a pleasing appearance is not a guide to character. Here, Rodriguez-Gerada appears to adding character with old skin.

You may think of them as architectural skin grafts newly preserved, or some form of urban exfoliation. Seeing the process at play, you may also be reminded of Italian preservationists “skinning” the first few centimeters of a façade to remove a BLU piece in Bologna – later hung in a museum.

Jorge Rodriguez-Gerada. “Fragments” (photo © Fer Alcala)

“While most walls surfaces touched by a restoration technique have some kind of tangible historic importance – frescos or murals, for example,” he says.

“I am giving importance to these commonplace textures for the intangible memory that they possess and the passage of time that they portray.” These fragments of memory and time are now merged with new spirit, enabling them to travel further into the future.

Jorge Rodriguez-Gerada. “Fragments” (photo © Fer Alcala) Jorge Rodriguez-Gerada. “Fragments” (photo © Fer Alcala) Jorge Rodriguez-Gerada. “Fragments” (photo © Fer Alcala) Jorge Rodriguez-Gerada. “Fragments” (photo © Fer Alcala) Jorge Rodriguez-Gerada. “Fragments” (photo © Fer Alcala) Jorge Rodriguez-Gerada. “Fragments” (photo © Fer Alcala) Jorge Rodriguez-Gerada. “Fragments” (photo © Fer Alcala)

Художник Хорхе Родригес Герада — «Портрет девочки»

Художник Хорхе Родригес Герада известен своими масштабными и поражающими рисунками. На этот раз он представил свою работу на арт-фестивале в Белфасте в виде огромного портрета девочки на поле, который можно разглядеть лишь с самых высоких точек города.

Художник Хорхе Родригес Герада — «Портрет девочки»

Художник Хорхе Родригес Герада — «Портрет девочки»

Хорхе Родригес Герада (Jorge Rodriguez Gerada) — кубинский американец, один из основателей партизанской арт-группы «Мешающая Культура», нацеленной против излишней коммерции в искусстве и всяческих официальных и политических учреждений, создающих моду, «тренды» и всяческие «это круто» в современном мире.

Художник Хорхе Родригес Герада — «Портрет девочки»

Работа над портретом, который занимает 11 акров неподалёку от музея, посвященного печально известному «Титанику» ( http://vorotila.ru/Item134553/Muzej-Titanik-Belfast ), заняла у Родригеса Герады несколько лет.

Для ручной разметки территории согласно заранее подготовленной схеме потребовалось около 30 000 деревянных колышков, позиция каждого из которых определялась с помощью GPS-приемников Topcon.

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Затем портрет был «раскрашен» при помощи добровольцев, которые за 4 недели выложили на поле более трех с половиной тонн природных материалов, таких как земля, песок и камни.

Для того, чтобы полюбоваться на новое творение Хорхе Родригеса Герады, известного своими крупномасштабными проектами, вам потребуется вертолет или самолет.

Jorge Rodriguez-Gerada: Removing Skin, Painting “Fragments”

It is always interesting to go into the studio space of a Street Artist to see how their big public practice translates to their “fine art” commercial work. Here we have new works from a figurative painter and portrait maker Jorge Rodriguez-Gerada, who is preparing pieces for his upcoming “Fragments” series.

Jorge Rodriguez-Gerada. “Fragments” (photo © Fer Alcala)

He says that the haunting and beckoning faces are painted upon textured surfaces that are at least 150 years old. How, exactly? “I have perfected a process that allows me to remove old interior wall paint surfaces from abandoned buildings to use as my canvases,” he says. The fragile cracked and flaking surfaces are stabilized and made whole so the new works can actually have an archival quality.

Jorge Rodriguez-Gerada. “Fragments” (photo © Audrey Garcia) Jorge Rodriguez-Gerada. “Fragments” (photo © Audrey Garcia)

One gazes at these beauties and considers the axiom, “beauty is only skin deep”, meaning that a pleasing appearance is not a guide to character. Here, Rodriguez-Gerada appears to adding character with old skin.

You may think of them as architectural skin grafts newly preserved, or some form of urban exfoliation. Seeing the process at play, you may also be reminded of Italian preservationists “skinning” the first few centimeters of a façade to remove a BLU piece in Bologna – later hung in a museum.

Jorge Rodriguez-Gerada. “Fragments” (photo © Fer Alcala)

“While most walls surfaces touched by a restoration technique have some kind of tangible historic importance – frescos or murals, for example,” he says.

“I am giving importance to these commonplace textures for the intangible memory that they possess and the passage of time that they portray.” These fragments of memory and time are now merged with new spirit, enabling them to travel further into the future.

Jorge Rodriguez-Gerada. “Fragments” (photo © Fer Alcala) Jorge Rodriguez-Gerada. “Fragments” (photo © Fer Alcala) Jorge Rodriguez-Gerada. “Fragments” (photo © Fer Alcala) Jorge Rodriguez-Gerada. “Fragments” (photo © Fer Alcala) Jorge Rodriguez-Gerada. “Fragments” (photo © Fer Alcala) Jorge Rodriguez-Gerada. “Fragments” (photo © Fer Alcala) Jorge Rodriguez-Gerada. “Fragments” (photo © Fer Alcala)

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